Cultural Heritage
Dance and Music
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Clips
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| Kashmiri Sufiyana Music Ustad Ghulam Mohammad Saznawaz & party J&K Academy of Art Culture & Languages 1998 |
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| Jeenda-Ji (Pahari Lok Geet) Iqbal Malangami J&K Academy of Art Culture & Languages 1998 |
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| Kukoo (Pahari Lok Geet) Anayat-Ullah Khan J&K Academy of Art Culture & Languages 1998 |
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| Succhi bee dinna moiye poori bee
dinna (Dogri Lok Geet) Pradyummna Singh & Tay Krishna Devi J&K Academy of Art Culture & Languages 1998 |
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| Jak Nang Skarma (Ladakhi Folk
Song) J&K Academy of Art Culture & Languages 1998 |
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| Qainchi (Darshi Ka Ban Maan) (Gojri Folk Song) Shabnum Akhtar & Shakeela Tabasum J&K Academy of Art Culture & Languages 1998 |
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| Gojri Music J&K Academy of Art Culture & Languages 1998 |
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| Kashmiri music on santoor J&K Academy of Art Culture & Languages 1998 |
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| The popular performing traditions of J&K
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Rouf This dance is almost steeped in antiquity. Rouf is always performed in the accompaniment of pleasant pathetic song. It is performed on all festive occasions and particularly on the evenings of Ramzan and IDD days. Group of women face each other and perform simple footwork which has a sensuous charm about it. Hafiz Nagma Hafiz Nagma is based on the classical music of Kashmir- the Sofiyiana Kalam. |
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| The Sufiyana Kalam has its own ragas known as Muquam. The prominent instrument used in Hafiz Nagma is called Santoor-a hundred stringed instrument played with sticks. The danseuse in this tradition is known as 'Hafiza'. | |
Song of Habba Khatoon Habba Khatoon was the renowned princess of Kashmir. Her feelings during her separation form the Yousuf King is depicted in this song. The song is based on the folk renderings of kashmiri Music. Jagarna This marriage song cum-dance form has the
elements of theatre. Whjile the menfolk of the bridegroom's house have gone with the Barat
woment folk are left alone in the house. The bridegroom's mother, aunts, mgradmother and
other relations indulge in gossips revelations of their marital life and the behaviour of
their husbands. But sometimes, in right earnest, they reveal some intimate incidents and
spend the night in the atmosphere which is un-interrupted by menfolk in ints flow of
unending gossip and the movement of frolicking feet. |
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Surma This song in Dogri, set to dance reveals the anguish of a newly married girl whose husband is away in the Army. The ever increasing yearning of re-union is depicted through this song-dance. Bakhan This folk song is a widely prevalent form of mass entertainment in our region. The haunting Melody of Pahari songs add to the beauty and joy of daily life.There are certain songs which are independent of |
| instruments. "Bakhan" is such a best example. "Bakhan" are in verse. The metre is irregular and is determined by modulation in tone. The movemtn of hand indicates the variations in the note. This is the only form of lyric in Dgri which resembles the Western harmony of sounds without loosing its individual note and rhythem. | |
Geetru A dance-song of Dogra Pahari region of Jammu being performed at the occasion of feasts, festivals and marriages by the rural folk parties of this region. Male and female both participate in this dance-song in their traditional costumes. This type of dance-song is performed at any time of the day as well as night.
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< Kashmiri men learning to play imusic |
A kashmiri guy tried to play instrument.> |
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< Ladakhi folk dance in their traditional holy dress. |
Ladakhi women dance to folk music > |
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< Drok-pa girls in their traditional dress during the festive celebrations. |
Lamas at a Prayer meeting in Ladakh > |
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< A Lama wearing ther ceremonial dress during a monastic festival. |
Drok-pa
girls in their traditional dress |
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< Folk Dance of Leh |
Ladakh Festival > |
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< Kashmiri dance "Roof" |
Kashmiri dance > |
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< "Kud" Pahari Dance, Jammu |
Commr./ Secy Tourism address Ladakh Festival at Padam. > |
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< Festival of Ladakh |
Dogri dance > |
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< Phumanian Dance of hilly region |
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